Moznost c. 1:

Nejprve pilotni fotka s popisem, a pod ni rada velkych fotografii, pouze o trochu mensi nez ta pilotni.

(Zadna tradicni galerie mensich ikon v radach vedle sebe.)

Vsimla jsem si ze Klara Hor. to takhle u tech Works vetsinou resi. (Nebo tam da tu galerii na konec, pod ty velke fotografie detailu. Ma to pokazde trochu jinak, prevazne tam galerie malych ikon chybi.) Jasne ze nechcem nic kopirovat, jen me to inspirovalo k vyzkouseni tohoto primocareho reseni.

Vyhody: Nemusi se nic rozklikavat (coz je v pripade linych uzivatelu, pripadne pomale wi-fi, pomerne vitane) , a dila (tedy vetsinou jejich detaily) jsou videt hned mnohem jasneji.

Nevyhody: Na druhou stranu to ale zas neni tak pusobive jako galerie malych ikon, kde je videt na jedne strance mnoho detailu najednou. Tady se musi sjizdet dolu a vidis vzdy jen jedno dilo, coz nebudi dojem celku. Mozna by se mohlo i zdat ze jde o odlisna dila, coz teda urcite nechceme.

Takze ja jsem spis proti, ale je docela dobre mit tohle reseni mit v zaloze, napriklad v pripade ze od urciteho dila mame jen jeden, nanejvys dva detaily, coz by mozna jako galerie malych ikon nevypadalo moc dobre.

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate.Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity.  The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries.  Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.

Moznost c. 2:

Nejprve opet pilotni fotka s popisem a pod ni galerie ikon.

Reseni galerie ikon: Tri  horizontalni ikony stredni velikosti, pod tim ctyri vertikalni. Zda se mi to pomerne prehledne.

A kdyz se rozklilne jedna, pak se uz muze jen sipkou na klavesnici (nebo klikanim mysi) posunovat dal, a prohlednout vsechny ikony ve zvestenem formatu.

(Jestli u tech zvetsenych ikon nechces ta cisla znazornujici poradi  (napr, ‘1 of 12’, dej vedet!)

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate.Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity.  The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries.  Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.

Tady (pod timhle textem) zkousim jak by puvodne vertikalni fotky vypadaly v horizontalnich ikonach. (V techto galeriich, (na rozdil od ‘Works, Objects and Design’,) by totiz bylo lepsi je mit vsechny horizontalni, aby se neprerusilo ‘slideshow’, – kdyz clovek rozklikne prvni ikonu, tak aby se to nezaseklo na konci horiontalni rady a divakovi pak neunikla ta nasledujici vertiklani rada. Protoze ta vertikalni rda by byla jako ‘nova galerie’, a musela by se tudiz rozkliknout znova. )

Podle me, tady zas tak moc nevadi, ze je z tech puvodne vertikalnich videt jenom vyrez; o to vic to vybizi divaka k tomu aby si prohlednul tu galerii celou, zvetsenou.

(Na tech strankach ‘Works, Onjecks amd Desihn’ je to neco jineho, tak se predstavuji dila cela, tak je dobre je mit jak v hpr. tak i ve vertikalnich.)

A tady, pod timhle textem jsou ikony vertikalni, pro predstavu.

Moznost c.3:

Pilotka a popis (takhle uz to bude i nadale, nechavam to tam pro lepsi predstavu)

Galerie: Velmi podobne te predchozi moznosti (c.2) – t.j. tri  horizontalni ikony stredni velikosti, pod tim ctyri vertikalni.

Jen jsou ty ikony o trochu mensi, a tudiz je mezi nimi vice bileho prostoru.

Prozatim asi ma nejoblibenejsi moznost, i kdyz ta dvojka mi prijde taky docela dobra.

(Zalezi tez na tom jak velkou mas obrazovku, mozna to vypada o mnoho vetsi ci mensi nez na me. Ale ono by vlaste nemelo moc vadit ze jsou ty ikony male, protoze pocitam s tim ze si budou lidi spis prohlizet ty zvetseniny, po rozkliknuti.)

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate.Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity.  The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries.  Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.

Moznost c.4:

Galerie: Ctryri  ikony velmi blizko sebe. Asi to pusobi trochu ‘seriove’. A neni mezi nimi dost prostoru.

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate.Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity.  The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries.  Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.

Moznost c.5:

Galerie: Extremne velke ikony velmi blizko sebe. Na jednu stranu pomerne impresivni dojem ‘robustnosti’, na druhou zas pusobici asi trochu preplacane, jak to tvori jeden celek. Ta dila jakoby nemohla dostatecne dychat, nemajic dodtatek prostroru mezi sebou.

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate.Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity.  The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries.  Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.

A co se tyce PILOTNI FOTKY, samozrejme si muzes vybrat jakou chces.

Jeji mala ikona bude samozrejme tez v sekci ‘Work with space’, tak je dobre zamyslet se jestli je lepsi horizontalni (kterych tam mame obecne vic ) nebo vertikalni. (Ktera by tedy nemohla byt uplne na zacatku)

Tady jich je par ruznych, pro predstavu…(opet s textem nize, abychom videly jak to pusobi.)

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate. Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity. The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries. Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate. Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity. The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries. Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.

…nebo treba tahle, jestli teda nevadi ze je to detail, a ne cele dilo.

Myslim totiz, ze v tech hlavnich galeriich – (Objects, Work with Space and Design)  – by mely byt spis vyobrazena dila cela, a detaily az po rozkliknuti.

Ale mozna muzem udelat obcasnou vyjimku.

AWAITING

From the Places / Ways / Intersections cycle, Church of the Infant Jesus 2019

(metallic-glazed, sanded and flat glass – Blue Stopsol Supersilver)

The glass art installation “Awaiting” interacts with the unique architecture of the pilgrimage church of the Infant Jesus during the Lenten run up to Easter. Despite its fragility, the work transforms its surroundings with sparkling light and  constantly changes throughout the day. Images in the metallic-glazed glass shatter assumptions and lend new perspectives. An entirely new spiritual space is thus created, unfettered by reality, which invites the observer to meditate.Everything that is reflected in the glass,  every architectural element and spacial relationship, now takes on new meaning:  from previously unremarkable details to the very massive structure of the building. The installation aligns with the dynamics of the  baroque interior, taking on its energy and intensity.  The furnishings of the basilica are reflected in glass fragments  and then re-integrate as a unified whole. Neither light nor dark ever entirely dominates. They communicate, somewhere on the border between shadow and light energy, in the subconscious and inner mysteries.  Sacred spaces have always worked with the principle of light. No other phenomenon perceived by human senses comes so close to the undefinable spiritual needs of human beings or generates so much varied emotion. The installation is a quiet call to reflection and reconsideration of stereotypical viewpoints as well  as an opportunity for a quiet meditation and inner freedom.